6/28/2023 0 Comments Frameio adobe![]() The X-H2S launched recently to strong reviews for its flexibility as both an extremely capable and flexible digital stills camera and one able to capture video in 6K resolution. ![]() The Fujifilm deal involves the X-H2S, which targets a substantively different industry sector than Red. The Fujifilm X-H2S in action (Image courtesy of Adobe) By evolving the technology to include in-camera automatic file transmission, we’re making enormous strides toward accomplishing this goal for productions of all types, sizes and budgets.” As bandwidth improves, the expectation for immediate access to footage will become the most vital component to an efficient workflow. “Imagine your raw camera footage being instantly backed up and accessible to anyone without downloading or shipping a drive. “It also increases the flexibility and control you have over the way you work,” Cioni wrote in a white paper. In an interim improvement to that process, Frame.io has signed deals with dozens of services providers and camera makers to build digital “hooks” into their hardware and software packages to connect with Frame.io for collaboration across systems once that video has been ingested in cloud-based post-production systems. Demos show automatic transmission of an 8K-resolution RAW R3D file, a log file, a CDL, a PreRes proxy fit, a WAV, and a custom look-up table, or LUT, for each take the camera records.įor production teams filming higher-end projects, the daily production grind in recent years has involved a time-consuming and laborious process of moving and copying files from cameras or removable disks to hard drives that can be shipped physically to post-production operations. Such proxies are lower-resolution files that can be more easily and quickly moved around and manipulated using today’s editing systems and networks, before full-resolution files arrive to be swapped in.
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